MITCHELL JOHNSON
Born in 1964 in Rock Hill, South Carolina
Childhood: South Carolina, Texas, Kansas, New
York, Virginia
Moved to California in 1990
Resides in Palo Alto, CA
EDUCATION
Randolph-Macon College,
Ashland, VA; B.S. 1986, Studied with Ray Berry
Washington Studio School, Washington, D.C., 1987-88,
Studied with Jo Weiss Le, Lee Newman, Jack Boul
and David Holt
Parsons School of Design, New York City; M.F.A. 1990
Studied with Paul Resika, Leland Bell, John
Heliker, Robert DeNiro, Nell Blaine and Larry Rivers
Studio Assistant to Sam Francis, Palo Alto, CA, 1990-91
Santa Fe Institute of Fine Arts, Santa Fe, NM, 1992,
Studied with Wolf Kahn
New York Studio School Drawing Marathon with Graham
Nickson, 2000
SOLO EXHIBITIONS
2001
Terrence Rogers Fine Art, Santa Monica, CA
Galleria
Alessandro Bagnai, Siena, Italy
Latham
Square organized by Oakland Museum of California,
(Curated by Elizabeth McLaughlin)
2000
The I. Wolk Gallery, St. Helena, CA
1999
Galleria D'Arte Contemporanea, San Donato
Milanese, Italy
Mendenhall Gallery, Pasadena, CA
Augen Gallery, Portland, OR
1998
Tatistcheff and Company, New York, NY
The I. Wolk Gallery, St. Helena, CA
1997
Tatistcheff/Rogers, Santa Monica, CA
Susan Street Fine Art, Solana Beach, CA
1996
Spazio Culturale Avicenna, Milano, Italy
Osteria del Leone, Bagno Vignoni, Italy
1995
Contemporary Realist Gallery, San Francisco, CA
1993
Stanford University Faculty Club Gallery,
Stanford, CA (also '96, '98)
1992
Young Gallery, Los Gatos, CA
Stanford University Faculty Club Gallery,
Stanford, CA (also '96, '98)
1991
Place de la Mairie, Meyreuil, France (also '90,
'89)
1990
Synchronicity Space, New York, NY
COLLECTIONS
Oakland Museum of Art
Foundation, Oakland, CA
York County Museum, Rock Hill,
SC
Laguna Art Museum, Laguna, CA
Utah Museum of Fine Arts, Salt
Lake City, UT
Frederick R. Weisman Museum,
Pepperdine University, Malibu, CA
South Carolina State Museum,
Columbia, SC
Columbia Museum of Art,
Columbia, SC
Museum of Fine Arts, Santa Fe,
NM
Fresno Museum of Art, Fresno,
CA
Greenville County Museum of
Art, Greenville, SC
York County Museum, Rock Hill,
SC
BIBLIOGRAPHY
Di Piero, W.S. "On Mitchell Johnson,", (Santa Monica:
Terrence Rogers Fine Art), exhibition catalogue.2001
Fontana, Sara. "Mitchell Johnson," (Santa Monica:
Terrence Rogers Fine Art), exhibition catalogue., 2001
Bijan, Donia. "Mitchell Johnson," (St. Helena: I. Wolk
Gallery), exhibition catalogue., 2000
Carboni, Tiffany. "Local Gentry," Gentry Magazine
(February, 2000), p. 42-44.
Ito, Itaru. "Outerline Milano," In Natural
International (January, 2000), p. 130-131.1999
Corgnati, Martina. "Mitchell Johnson," (San Donato
Milanese, Italy), exhibition catalogue, 1999
Di Piero, W.S. "On Mitchell Johnson," (San Donato
Milanese, Italy), exhibition catalogue, 1999
Pichevin, Claude. "Mitchell Johnson," (San Donato
Milanese, Italy), exhibition catalogue, 1999
________, "Atmosfera stelle e strisce su tela," Il
Giorno (October 27, 1999), p.39.
Tadini, Emilio. "I paesaggi bucolici della California
nelle tele di Mitchell Johnson," Il Cittadino (October
12, 1999), p. 44.
Henry, Gerrit. "Mitchell Johnson: Beginnings,"
(Portland: Augen Gallery) Exhibit essay, 1998
Harrington, Jim. "The Master of Momentum," Palo Alto
Weekly (August 14, 1998), p.10-11.
Bijan, Donia. "Mitchell Johnson," (New York:
Tatistcheff Gallery), exhibition catalogue, 1997
Luciani, Annette. "Mitchell Johnson," (New York:
Tatistcheff Gallery), exhibition catalogue, 1997.
Byers, Susanna. "Seeing paintings instead of
locations," American Artist (July, 1997), pp. 44-51.
Buckley, Patricia Morris "Two Distinct artists share
common thread," North County Times (July18, 1997), p.
17.
Sussman, Diane. "Chasing Light," Palo Alto Weekly
(February 23, 1996), p. 9.
Farmer, Rob. "Gallery Going," Where San Francisco
(Spring, 1996), p. 11.
Ito, Itaru. "I paesaggi di Mitchell Johnson," (Milan:
Spazio Avicenna), exhibition essay, 1995
Ayres, Jane. "Painters revive former gallery,"
Peninsula Times Tribune (February 3, 1992), p. 18.
Sussman, Diane. "Mitchell Johnson: that inimitable
French style," Palo Alto Weekly (February 5, 1992), p.
38.